It is a well-known fact among my close friends and family that I like weird time signatures. Partly because my kid brother (who played euphoium in high school) loves music with weird time signatures and partly because it’s just something different. I don’t hide it. It’s who I am. I try not to write in weird time signatures too often because I know its complicated and people don’t like complicated. (Ha!) But I had to with Jabberwocky. Because Lewis Carroll was a weird guy and Jabberwocky is a weird poem. So too, should the music be. For those who don’t know, smack dab in the middle of my choral setting of Jabberwocky is a section in 10/8 for a rhythmic chant. And it worked out beautifully.
So I wanted to write more stuff in weird time signatures. That is how Festival Dance, my newest piano solo came about. Sometimes, when I’m writing music, it just flows from my brain onto the paper (or computer) without interruption. These are the pieces I know I will write fast and well. It happened with Jabberwocky. It happened with Inferno. And it’s happened again with Festival dance. It is a light and jovial piece into which I tried to capture euphoria and joy. I set it in 7/8 with a few measures in 4/8 for good measure (ha!). As soon as I put the finishing touches (dynamics and page editing, ugh!) I will put it up on here for all to witness. I think it’s safe to say I have made my kid brother proud!